Original Name: The Breadwinner
Director: Nora Twomey
Runtime: 94 minutes
IMDB Link: https://www.imdb.com/title/tt3901826/
Nora Twomey: an Irish animator, director, screenwriter, producer and voice actress. She is a partner in Cartoon Saloon. Twomey’s films are often coming-of-age films with pre-teen protagonists dealing with mythic worlds, the importance of stories and finishing them, acceptance, family, and communities. Her films combine traditional and digital art but are often hand-drawn and in a visual style inspired by the worlds of her stories
“The Breadwinner is Deborah Ellis’ book, but it’s also the testimony of all of the women she spoke to in refugee camps in Pakistan, as well as the Afghan caste members who told their stories to inform me and the rest of our cast and crew about the complexity of the story we were trying to tell. It’s people from different cultures; it’s more than the sum of its parts, and way more than I could ever have made as a solo project.”
We should make more movie like this. A family-oriented film that have mature message and inspiring story that not only kids, but adults can enjoy and appreciate. Adapted from a popular young adult novel by Deborah Ellis, The Breadwinner is a gorgeous but uneven tale about Parvana, an 11-year-old girl who disguise herself as a boy to help her family after he father was taken without charges. Set in the early 90s when Afghanistan was still under the control of Taliban, the Afghan women suffer from oppressive misogynist system where they aren’t allowed to show their face in public and where the stores would refuse to let them purchase anything, let alone greeting them. Having her father taken away means that the main source for income, or even for daily social interaction is close to zero. In such a harsh and repressed society, all that Parvana (and the women in general) want is the same opportunity as male’s counterpart. Parvana enjoys her little freedom in the disguise of boy, working all day to get her paycheck, somethings she couldn’t do if she were in girl’s clothes.
But while The Breadwinner’s central message is all fine and dandy, it’s the narrative aspect that it suffers the most. Even ironic how the film itself tries to sell an importance of storytelling as the powerful tool for these characters to cope with the harsh reality of life, and how it provides a glimmer of hope, as well as the power of imaginative in an otherwise dull, wash-out and bleak world. The story development as a whole is filled with many contrived plots, most notably the appearance of one of the relative who just wants to take them away without caring much for them or how it’s the same day as Parvana decides to meet her father and the war broke out and her siblings have to move. One can have a sense of the clunky in plot development when one realizes that many supporting characters have to sacrifice their own benefits (in an unbelievably manner) to help support the girl’s quest. Not only the plot, but the character’s writing is too one-sided in many cases. The authority men are presented as overly aggressive as if they’re one big ruthless character and most of them, Parvana aside, haven’t been developed to their full potential.
The Breadwinner saves its shortage in storytelling department by the sheer power in animation production. They nail it with the visual: the backgrounds get you right into the heart of this Afghan conflicts, the characters are always expressive, especially in their big eyes. The story within a story part particular stands out as it uses vividly cut-out animation art style that contrast very well with its more traditional style. While in term of flat-out gorgeous visuality and wild visual experimentation The Breadwinner can’t compare with its earlier works, it’s the comparison I happily to put aside since it aims for a much more difficult subject matter. While I have complaints with the male cast, the female cast does a wonderful job to show us what it feels like to be victims of their time, and somehow enforce the girls’ strong will to stand up for themselves and do what they like in the name of Parvana and her friend Shauzia. In the end, though the story itself can be inconsistent and heavy-handed at times, the fact that it’s willing to tackle a difficult and dark subject matter for a family-friendly audience, plus its pleasing animating visual make it better a better recommendation than your regular animated fare.