Anime Yearly Summaries

2017 Anime Summary

 

Overall, I consider 2017 an okay year in anime, it isn’t as solid as 2016, but the top 4 are absolute modern classics (well, 2 of them are sequels). 2017 is the year where we see the Hollywood embraces the medium by having 2 live-action remakes to classic anime Ghost in the Shell staring Scarlet Johansson and Death Note TV series to a devastating result. Fantasy-adventure anime had a typically strong year with the crowd-pleasing Little Witch Academia, Attack on Titan Second season, Made in Abyss, Shingeki no Bahamut: Virgin Soul and Kino’s Journey remake (which is considered more as Kino Journey‘s greatest hits). Romance has a pretty good showing as well, with the likes of tsuki ga kirei, Tsurezure Children, Just Because, Net-juu no Susume, Gamers and most notably the anti-romance Scums’ WishOn the flip side we see the brief comeback of imouto subgenre (Eromanga sensei and A Sister is All You Need), which for me is absolute cancer. Kemono Friends, an adaptation of the then-dysfunction mobile game, becomes a breakthrough hit and that was something that I can’t comprehend even to this day. 2017 is also the first year of the Crunchyroll Anime Awards where they championed Made in Abyss.

Most Popular Show of 2017: My Hero Academia 2

The first season of My Hero Academia might air a year before in 2016 with modest success, but it’s this season that the show really explodes in anime fandom and becomes one of the most popular franchises of this decade. It embraces the shounen tropes with the right amount of heart and incredible animation, resulting in a predictable but always entertaining watch. This second season is an apt example of its success, and of why I never truly embrace the series. It poses some interesting questions about the grey moral of becoming a hero and points out flaws within the current hero’s system, but then it falls back on these in many occasions for a more light-hearted and straight forward action set piece. The result is a ton of sakuga sequences that is impressive in its own right, but it sacrifices all the thematic complexity in the process.

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